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Fast and Furious 9 Movie Review
It has been rumored that the new film "Fast and Furious", "F9," will feature a sequence set in space - a sound arrangement, on paper, as if it could be a logical conclusion for all those who look down on the gravitational pull of cars in this series. However, I'm not sure if anyone will be prepared for what happened in the "F9" climax.
Roman (Tyrese Gibson) and Tej (Chris "Ludacris" Bridges), who had been mocking the entire movie, were behind the wheel of a red Pontiac Fiero fitted with a rocket launcher. The car was hit in the back of the spacecraft, preparing to send them to orbit; as they roam with temporary-made yellow space-protective helmets that look like they belong to a 1960s water pair (all that is missing is a back-and-forth faery), the sequence turns into a pure cheeseball joke. Roman, in his skepticism, and Tej, with his number-based question, is a ridiculous joke, and that's fine, but as the two heads go into space, with weightless candy wrappers flying around the car, all to fulfill a mission that doesn't seem as obvious or necessary, this scene promotes a non-humorous genre - the sound of an audience checking a movie, because the movie suddenly seems absurd.
We think: Is this because the "Fast and Furious" series skipped the shark?
Not so fast. At that point, there is no doubt that the movie goes as far as the shark, watching it well, perhaps even climbing on it, but not focusing entirely on it. Among other things, there is a very wide range of processes that take place outside of that boundary design for a boundary space. But I'm not sure if that was the kind of call near "F9" he wanted to be remembered for.
Sequence of space does not last long, and it does not seem to matter. The serious problem with the movie is that while it has its standard it is this-end-world-as-we-know-it? MacGuffin's plot - can a villain assemble two pieces of a small geodesic dome called Project Aries, which will allow him to control all the world's computers and advanced weapon systems? (just writing that sentence, doubt eats me alive) - a lot of what happens to "F9" feels stuck in the past.
For example, that villain is Vin Diesel's brother Dominic Toretto. In a series of backlogs, we see how the two of them, when they were teenagers in 1989, saw their father who was a sports car driver smashed into smithereens in a high-flying airplane during a race in California. From that moment on, the brothers split up (the cause of the accident was the reason), and Dom, played as a child by Vinnie Bennett, grew up to be a chrome-powered guard at a petrol-powered speed that he came to know and love, and his brother, played as a child by Finn Cole, grew jealous. glorious, pumped but powerful Jakob (John Cena), who wants to rule the world in order to exalt his older brother.
Other than that, the movie continues to look back on its shoulder - in all spies' relationships - as the family has established the series, and for one important character we thought he was dead (the name of the character is there in the credits, but I'll stop talking about him). Not to mention that when the blockbuster series of 10 films - and 20 years old ("The Fast and the Furious" will celebrate 20 years since its inception in just one month), it gained more than just the right to look back. But the way franchises usually work is for the beautiful sequels to look forward, or at least fix right now. In the 80s, when Hollywood was going crazy but didn't think about how it was going to be done yet, many sequences were bad (such as "Poltergeist II: The Other Side" and "Rambo III" and "Back to the Future Part II") they spend most of their time meditating on what they already have. That was the film's way of saying to the audience, "Remember when you all made this a popular thing?" Rarely is an effective strategy.
The 2017 “Fast and Furious” film, The Fate of the Furious (Present and Furious Presents: Hobbs & Shaw), has been a hit with a hint of intelligence, with Toretto set. to look like he betrayed his colleagues. Director, F. F Gary Gray (“Straight Outta Compton”), did an amazing job. The "F9" is also directed by Justin Lin, who put his own stamp on "The Fast and the Furious: Tokyo Drift" and made the following three entries in the series, but considering that "F9" is the fifth of Lin "F and F" and his first film in eight years, he goes through a lot of drunkenness.
Okay, but what about such an impressive act? At first, our heroes, in many different cars, were in the middle of chasing the islands of Montequinto (I looked at it, went back to "Return of the Jedi" and thought: Forests, for some reason, are not good backgrounds for speeding). They finally reached one of those endless expandable bridges made of ropes and wooden slats. When the first car passes over it, it leaves the bridge collapsing in pieces behind it, perhaps the highest suspicion of the movie. Then Toretto approaches what is now several miles of gorge, and then falls over it - somehow driving his car so that it can get into the hanging parts of the bridge, which act like a sling. The scene is so humorous that the filmmakers were saying, "Let's put what would be the climax of 'Fast and Furious 4' in the first half of the hour." Good enough. But what do you do with encore?
The “F9” features several sequences in which a truck with a high-powered magnetic field travels through London's streets, attracting all kinds of metal, including a car, somehow less than the boss's. The movie also has a lot of handmade stuff - so much so, I would say -
It has been rumored that the new film "Fast and Furious", "F9," will feature a sequence set in space - a sound arrangement, on paper, as if it could be a logical conclusion for all those who look down on the gravitational pull of cars in this series. However, I'm not sure if anyone will be prepared for what happened in the "F9" climax.
Roman (Tyrese Gibson) and Tej (Chris "Ludacris" Bridges), who had been mocking the entire movie, were behind the wheel of a red Pontiac Fiero fitted with a rocket launcher. The car was hit in the back of the spacecraft, preparing to send them to orbit; as they roam with temporary-made yellow space-protective helmets that look like they belong to a 1960s water pair (all that is missing is a back-and-forth faery), the sequence turns into a pure cheeseball joke. Roman, in his skepticism, and Tej, with his number-based question, is a ridiculous joke, and that's fine, but as the two heads go into space, with weightless candy wrappers flying around the car, all to fulfill a mission that doesn't seem as obvious or necessary, this scene promotes a non-humorous genre - the sound of an audience checking a movie, because the movie suddenly seems absurd.
We think: Is this because the "Fast and Furious" series skipped the shark?
Not so fast. At that point, there is no doubt that the movie goes as far as the shark, watching it well, perhaps even climbing on it, but not focusing entirely on it. Among other things, there is a very wide range of processes that take place outside of that boundary design for a boundary space. But I'm not sure if that was the kind of call near "F9" he wanted to be remembered for.
Sequence of space does not last long, and it does not seem to matter. The serious problem with the movie is that while it has its standard it is this-end-world-as-we-know-it? MacGuffin's plot - can a villain assemble two pieces of a small geodesic dome called Project Aries, which will allow him to control all the world's computers and advanced weapon systems? (just writing that sentence, doubt eats me alive) - a lot of what happens to "F9" feels stuck in the past.
For example, that villain is Vin Diesel's brother Dominic Toretto. In a series of backlogs, we see how the two of them, when they were teenagers in 1989, saw their father who was a sports car driver smashed into smithereens in a high-flying airplane during a race in California. From that moment on, the brothers split up (the cause of the accident was the reason), and Dom, played as a child by Vinnie Bennett, grew up to be a chrome-powered guard at a petrol-powered speed that he came to know and love, and his brother, played as a child by Finn Cole, grew jealous. glorious, pumped but powerful Jakob (John Cena), who wants to rule the world in order to exalt his older brother.
Other than that, the movie continues to look back on its shoulder - in all spies' relationships - as the family has established the series, and for one important character we thought he was dead (the name of the character is there in the credits, but I'll stop talking about him). Not to mention that when the blockbuster series of 10 films - and 20 years old ("The Fast and the Furious" will celebrate 20 years since its inception in just one month), it gained more than just the right to look back. But the way franchises usually work is for the beautiful sequels to look forward, or at least fix right now. In the 80s, when Hollywood was going crazy but didn't think about how it was going to be done yet, many sequences were bad (such as "Poltergeist II: The Other Side" and "Rambo III" and "Back to the Future Part II") they spend most of their time meditating on what they already have. That was the film's way of saying to the audience, "Remember when you all made this a popular thing?" Rarely is an effective strategy.
The 2017 “Fast and Furious” film, The Fate of the Furious (Present and Furious Presents: Hobbs & Shaw), has been a hit with a hint of intelligence, with Toretto set. to look like he betrayed his colleagues. Director, F. F Gary Gray (“Straight Outta Compton”), did an amazing job. The "F9" is also directed by Justin Lin, who put his own stamp on "The Fast and the Furious: Tokyo Drift" and made the following three entries in the series, but considering that "F9" is the fifth of Lin "F and F" and his first film in eight years, he goes through a lot of drunkenness.
Okay, but what about such an impressive act? At first, our heroes, in many different cars, were in the middle of chasing the islands of Montequinto (I looked at it, went back to "Return of the Jedi" and thought: Forests, for some reason, are not good backgrounds for speeding). They finally reached one of those endless expandable bridges made of ropes and wooden slats. When the first car passes over it, it leaves the bridge collapsing in pieces behind it, perhaps the highest suspicion of the movie. Then Toretto approaches what is now several miles of gorge, and then falls over it - somehow driving his car so that it can get into the hanging parts of the bridge, which act like a sling. The scene is so humorous that the filmmakers were saying, "Let's put what would be the climax of 'Fast and Furious 4' in the first half of the hour." Good enough. But what do you do with encore?
The “F9” features several sequences in which a truck with a high-powered magnetic field travels through London's streets, attracting all kinds of metal, including a car, somehow less than the boss's. The movie also has a lot of handmade stuff - so much so, I would say -
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